No — and on purpose. We're a senior shooter plus a curated crew of pros. No offices, no overhead, no account managers between you and the people actually holding the camera. If you want the reassurance of a big production company with a finance department and three levels of approval, we're not the right fit. If you want a pro crew that gets the job done with zero drama, we are.

Both, your choice. Most international clients book us as a local crew-for-hire: you brief us, we show up with the right kit, we shoot what you need, we hand off the footage, done. But we can also run the full production — pre-pro, permits, locations, shoot, post — if that's easier for your team. Tell us which mode and we'll scope it.

Yes. Our baseline is a senior shooter (Béla). From there we add operators, sound, gaffers, grips, PAs, and second units from a curated roster of people we work with regularly. One point of contact, one crew, one delivery — however big the shoot is.

A full professional package — camera bodies, pro lenses, lighting, grip, sound. We're happy to share a detailed kit list with specific bodies and glass once we know the brief. If your production needs a specific spec we don't own, we'll arrange the rental cleanly and pass it through at cost.

Yes — this is standard. We organise and label footage on set, generate proxies if needed, and deliver via Frame.io, Dropbox, private FTP, or secure physical drives (whatever your post team uses). Review loops across timezones are part of how we already work.

Yes, English is our default — most of our clients are international producers and agencies. We also work in Dutch when a local venue or vendor needs it, so your producer doesn't have to worry about the language side of things at all.

Amsterdam and the Randstad daily. The rest of the Netherlands regularly. Across Europe within roughly 1000km driving distance (Belgium, Germany, Northern France, Luxembourg, much of the UK) when a brief calls for it. Further afield on request.

We don't position ourselves as a full-service fixer — but we have years of local experience and strong relationships with studios, venues, and vendors across the country. We'll handle what's practical for the shoot to happen smoothly, and if a job genuinely needs a dedicated production coordinator or permit specialist, we'll tell you upfront and help you arrange it.

Production work is day-rate based for the crew, plus gear and any extras. We scope each job cleanly so there are no surprises on the invoice. Send a short brief — dates, location, scope, deliverables — and you'll get a clear number the same day.

Yes. Single-day crew hire is one of the most common ways international producers work with us. You brief us, we show up with a senior shooter and the right kit, we shoot, we hand off the footage, done. Scaling up to a multi-day, multi-operator crew works the same way.